User:Teddbeary/VivaLaVida

*FOR KINGXSHARK*

Here’s where I’m keeping all the images (updating each time I make a new one)

The words will be the lyrics to the “Viva La Vida” (by Coldplay) song (in italic) and at which point each image fades in (in bold), the transitions will always just be a simple fade and that’ll probably be the only needed effect beside the timing of when each transition happens

There’ll also be some black screens but only when they’re specifically noted to happen below

Please title the video the following bold text: Viva La Vida - King Merlin PMV

—————————————

Please use the following text (in italic and quotes) in the video description (not including the quotes themselves, please):

“At the dawn of the districts, Merlin has declared himself king of the underwater city of Neptullin and the sharklets who live there.

As Merlin’s greedy and contemptible character corrupts his power, the young sharklet Opal seeks to find a home outside Neptullin in the snowy southern forests… but her request brings violent consequences for the sharklets trying to escape.

All the while, a sharklet named Abyss, who rejects the others’ harsh treatment of Opal and her comrades, learns of an old challenge ritual that can uproot the king and prepares his sword for a showdown.”

—————————————

Green text means special notes that you must read to understand the requested edit. This will be used during instrumental parts of the song (among other parts) so that you know when to edit when there are no lyrics. I know it’s gonna sound complicated, but please read it all!

Blue text is what I have to draw and will be in place of an image while there is no image there yet. Just ignore this, it’s for me to use while I’m drawing the pictures so that I know what to make!

————————————— (BEGIN ON BLACK SCREEN THAT LASTS FOR ONE SECOND.)

(FADE INTO THE ABOVE IMAGE AND HOLD IT ON SCREEN FOR TWO SECONDS, THEN FADE TO ANOTHER BLACK SCREEN LASTING 2 SECONDS BEFORE BEGINNING THE SONG.)

The first part of this song is a brief musical intro. You will hear the instruments playing one specific note — this is a C#. This part of the song will be notated as the C# Intro. A couple of seconds later, you hear that a different note is being played that sounds lower than the C# — this is a C. This part of the song will be notated as the C Intro. Then, it repeats the C# Intro and next repeats the C Intro. Listen to this musical intro of the song first so that you can hear the note changes and understand where to edit. This intro lasts approximately from 0:00 to 0:13 in the song.

I have included estimates for how long each part of the intro lasts because many of the note changes happen halfway through the second or otherwise not fully through the second. Do not edit exactly based on these estimates; if you listen to the song and play around with the edit, you will hear and understand a more exact time that the intro changes.

*C# intro 1*



(START ON THE ABOVE IMAGE AT THE VERY BEGINNING OF THE SONG — APPROXIMATELY 0:00 TO 0:03)

*C intro 1*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE C INTRO — APPROXIMATELY 0:04 TO 0:07)

*C# intro 2*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND C# INTRO — APPROXIMATELY 0:07 TO 0:10)

*C intro 2*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND C INTRO — APPROXIMATELY 0:11 TO 0:13)

The musical intro ends here.

I used to rule the world



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “RULE”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORLD”)

Seas would rise when I gave the word



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SEAS”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “RISE”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “GAVE”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORD”)

Now in the morning I sleep alone

(FADE TO BLACK SCREEN ON SYLLABLE “THE”)



(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE ON SYLLABLE “SLEEP”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “LONE” AS IN “ALONE”)

Sweep the streets I used to own



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “STREETS”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “OWN”)

(FADE TO BLACK SCREEN A SECOND AFTER THE WORD “OWN” IS SUNG)

Now comes an interlude, which also has 2 notes that alternate. First, you will hear the instruments playing one specific note — this is a G#. This part of the song will be notated as the G# Interlude. A couple of seconds later, you hear that a different note is being played that sounds lower than the G# — this is a G. This part of the song will be notated as the G Interlude. Then, it repeats the G# Intro and next repeats the G Intro, and then it repeats each once again so that there are a total of 4 interludes for each of the two notes. Listen to this musical interlude of the song first so that you can hear the note changes and understand where to edit. This interlude lasts approximately from 0:28 to 0:41 in the song.

I have included estimates for how long each part of the intro lasts because many of the note changes happen halfway through the second or otherwise not fully through the second. Do not edit exactly based on these estimates; if you listen to the song and play around with the edit, you will hear and understand a more exact time that the interlude changes.

*G# interlude 1*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE G# INTERLUDE — APPROXIMATELY 0:28 TO 0:29)

*G interlude 1*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE G INTERLUDE — APPROXIMATELY 0:30 TO 0:31)

*G# interlude 2*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND G# INTERLUDE — APPROXIMATELY 0:32 TO 0:33)

*G interlude 2*

(FADE TO BLACK SCREEN AT THE BEGINNING OF THE SECOND G INTERLUDE — APPROXIMATELY 0:33 TO 0:34)

*G# interlude 3*



(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE THIRD G# INTERLUDE — APPROXIMATELY 0:35 TO 0:36)

*G interlude 3*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE THIRD G INTERLUDE — APPROXIMATELY 0:37 TO 0:38)

*G# interlude 4*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE FOURTH G# INTERLUDE — APPROXIMATELY 0:39 TO 0:40)

*G interlude 4*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE FOURTH G INTERLUDE — APPROXIMATELY 0:40 TO 0:41)

The musical interlude ends here.

I used to roll the dice



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ROLL”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “DICE”)

Feel the fear in my enemy's eyes



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FEEL”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FEAR”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “EN” AS IN “ENEMY’S”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “EYES”)

Listen as the crowd would sing

(FADE TO BLACK SCREEN ON SYLLABLE “LIS” AS IN “LISTEN”)



(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE ON SYLLABLE “CROWD”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SING”)

"Now the old king is dead! Long live the king!"



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “OLD”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “LONG”)

(FADE TO BLACK SCREEN ON SYLLABLE ON “KING” AS IN “LONG LIVE THE KING”)

One minute I held the key



(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE ON SYLLABLE “HELD”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “KEY”)

Next the walls were closed on me



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WALLS”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ME”)

And I discovered that my castles stand



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CAS” AS IN “CASTLES”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “STAND”)

Upon pillars of salt and pillars of sand



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “PILL” AS IN “PILLARS OF SALT”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “PILL” AS IN “PILLARS OF SAND”)

I hear Jerusalem bells are ringing



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “HEAR”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BELLS”)

Roman Cavalry choirs are singing



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ROM” AS IN “ROMAN”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CHOIRS”)

Be my mirror, my sword and shield



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BE”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SWORD”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SHI” AS IN “SHIELD”)

My missionaries in a foreign field



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “MISS” AS IN “MISSIONARIES”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FOR” AS IN “FOREIGN”)

For some reason I can't explain



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FOR”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CAN'T”)

Once you go there was never



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ONCE”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “NEV” AS IN “NEVER”)

Never an honest word



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “HON” AS IN “HONEST”)



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORD”)

And that was when I ruled the world



(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WHEN”)

(FADE TO BLACK SCREEN ON SYLLABLE “WORLD”)

Now comes another interlude, which is a Bb played underneath different notes during the first and third quarters of the interlude, and a F played underneath different notes during the second and fourth quarters. This time, the interludes will just be numbered instead of also being given a note, but you’ll still be able to hear the change when it happens. Listen to this musical interlude of the song first so that you can hear the note changes and understand where to edit. This interlude lasts approximately from 1:37 to TBA in the song.

I have included estimates for how long each part of the interlude lasts because many of the note changes happen halfway through the second or otherwise not fully through the second. Do not edit exactly based on these estimates; if you listen to the song and play around with the edit, you will hear and understand a more exact time that the interlude changes.

Interlude 1*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE FIRST QUARTER (Bb) OF THE INTERLUDE — APPROXIMATELY 1:37 TO 1:41)

*Interlude 2*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND QUARTER (F) OF THE INTERLUDE — APPROXIMATELY 1:41 TO 1:44)

*Interlude 3*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE THIRD QUARTER (Bb) OF THE INTERLUDE — APPROXIMATELY 1:45 TO 1:48)

*Interlude 4*



(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE FOURTH QUARTER (F) OF THE INTERLUDE — APPROXIMATELY 1:48 TO 1:50)

The musical interlude ends here.

It was the wicked and wild wind

King Merlin sitting on his throne, examining his claws, looking bored.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WI” AS IN “WILD”)

King Merlin looking up from his claws sharply, facing the direction of the door to his throne room.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WIND”)

Blew down the doors to let me in

Opal and her gathered Frosticles entering the throne room

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BLEW”)

Opal standing in front of King Merlin with an angry look on her face.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “DOORS”)

A replica shot of the previous one, except King Merlin’s eyes are narrowed and Opal has lowered the level of rage in her expression.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “IN”)

Shattered windows and the sound of drums

Opal and the Frosticles are still facing Merlin, except the background is a snowy forest instead of King Merlin’s throne room.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SOUND”)

A replica shot of the previous one, except the Frosticles look more hopeful and Opal has her mouth open as though asking the king a question.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “DRUMS”)

People couldn't believe what I'd become

The background changes back to King Merlin’s throne room and all the Frosticles look afraid, devastated, or negatively shocked. Opal’s mouth is still open, but less, and her face is mostly expressionless.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “COULD” AS IN “COULDN’T)

A close-up of King Merlin’s furiously shocked face.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “I’D”)

Revolutionaries wait

King Merlin pointing forward while standing on a green/sandy hill as armored and armed sharklets rush past him running in that direction.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “NA” AS IN “REVOLUTIONARIES”)

A replica shot of the previous one except new sharklets with armor and weapons are running past King Merlin.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WAIT”)

For my head on a silver plate

A pair of sharklet soldiers advancing on a snowy den in Winterspire with stormclouds in the sky.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “HEAD”)

Some frosticles fighting some sharklets with weapons and mostly winning.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “PLATE”)

Just a puppet on a lonely string

(FADE TO BLACK SCREEN ON SYLLABLE “PUP” AS IN “PUPPET”)

A shot of wounded sharklet soldiers returning to where King Merlin is standing on the green/sandy hill.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “LONE” AS IN “LONELY”)

Oh who would ever want to be king?

A close-up of King Merlin looking down at the warriors with shock.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WHO”)

A close-up of King Merlin with his head slightly more raised and fury burning in his eyes as he looks down at the wounded soldiers.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “KING”)

(FADE TO BLACK SCREEN A SECOND AFTER “KING” IS SUNG)

I hear Jerusalem bells are ringing

A shot of a paper diagram of net designs with King Merlin’s right claw holding a pencil on the side.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “HEAR”)

King Merlin sitting at his desk and looking over the papers with a mischievous smile.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BELLS”)

Roman Cavalry choirs are singing

Abyss standing in a row beside another sharklet soldier who is being given a net by King Merlin.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ROM” AS IN “ROMAN”)

Abyss, out in the cold, watching in horror as another sharklet soldier throws a net over a fleeing frosticle.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CHOIRS”)

Be my mirror, my sword and shield

Abyss holding a candle and looking to the right around a dark cave fading into light.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BE”)

Abyss turning to the left and having a shocked look on his face.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SWORD”)

My missionaries in a foreign field

A family of frosticles huddled at the back of the cave: a father and child in fear, a mother glaring defensively up at Abyss.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “MIS” AS IN “MISSIONARIES”)

Abyss kneeling down in front of the family, setting down his candle and a plate of bread and apples and looking friendly but slightly nervous as he smiles.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FOR” AS IN “FOREIGN”)

For some reason I can't explain

A close-up shot of Abyss’s extended arm giving an apple to the extended arm of the mother.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “FOR”)

The father and the child splitting a piece of bread and looking more at ease while the mother holds the apple, her expression neutral but leaning towards accepting of Abyss.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CAN’T”)

I know Saint Peter won't call my name

Abyss walking out of the cave and into its more darker middle region.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “KNOW”)

A replica shot of the previous one except Abyss’s legs are in a different walking position and mostly near the end of the cave.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CALL”)

Never an honest word

A replica shot of the previous one except Abyss has now stopped and is standing outside the entrance to the cave with his eyes closed.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “AN”)

A shot of King Merlin in Abyss’s imagination grinning cruelly at him as though he were standing right in front of Abyss.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORD”)

But that was when I ruled the world

A close-up shot of Abyss’s face, back in reality, with his eyes closed and his face set in determined concentration.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WHEN”)

A replica shot of the previous one except Abyss’s eyes are open.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORLD”)

Now comes another interlude, which is a G# played underneath different notes. This time, the interludes will just be numbered instead of also being given a note, but you’ll still be able to hear the change when it happens. Listen to this musical interlude of the song first so that you can hear the note changes and understand where to edit. This interlude lasts approximately from 2:47 to 2:59 in the song.

I have included estimates for how long each part of the interlude lasts because many of the note changes happen halfway through the second or otherwise not fully through the second. Do not edit exactly based on these estimates; if you listen to the song and play around with the edit, you will hear and understand a more exact time that the interlude changes.

Interlude 1*

A shot of an open book that looks old and tattered and reads “ROYAL CHALLENGE” at the top. Abyss is claw-reading it, and his claw is at the start of the word “ROYAL.”

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE G# INTERLUDE — APPROXIMATELY 2:47 TO 2:48)

*Interlude 2*

A replica shot of the previous one except Abyss’s claw is now on the end of the word “CHALLENGE.”

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE G INTERLUDE — APPROXIMATELY 2:49 TO 2:50)

*Interlude 3*

Abyss sitting at his desk with his handle, looking down at the book as though deep in thought.

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND G# INTERLUDE — APPROXIMATELY 2:50 TO 2:51)

*Interlude 4*

A replica shot of the previous one, except Abyss’s head is lifted in determination.

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE SECOND G# INTERLUDE — APPROXIMATELY 2:52 TO 2:53)

*Interlude 5*

A close-up shot of a sword made of coral sitting on a table with Abyss’s claws grabbing it.

(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE THIRD G# INTERLUDE — APPROXIMATELY 2:54 TO 2:55)

*Interlude 6*

A replica shot of the previous one, but the sword and claws are gone as though Abyss lifted the sword off of the table.

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE THIRD G INTERLUDE — APPROXIMATELY 2:56 TO 2:57)

*Interlude 7*

Abyss awkwardly holding the sword in a training room.

(FADE INTO THE ABOVE IMAGE AT THE BEGINNING OF THE FOURTH G# INTERLUDE — APPROXIMATELY 2:57 TO 2:59)

The musical interlude ends here.

Oh oh oh, oh oh, oh

A close-up shot of King Merlin sneering in Abyss’s imagination.

(FADE INTO THE ABOVE IMAGE ON THE 3RD “OH”)

Abyss, in the training room, slicing his sword down in the direction of King Merlin’s face.

(FADE INTO THE ABOVE IMAGE ON THE 5TH “OH”)

Abyss standing upright while holding his sword.

(FADE INTO THE ABOVE IMAGE ON THE 6TH “OH”)

Oh oh oh, oh oh, oh

A close-up shot of King Merlin laughing evilly in Abyss’s imagination.

(FADE INTO THE ABOVE IMAGE ON THE 3RD “OH”)

Abyss, in the training room, slicing his sword up in the direction of King Merlin’s face.

(FADE INTO THE ABOVE IMAGE ON THE 5TH “OH”)

(FADE TO BLACK SCREEN ON THE 6TH "OH")

Oh oh oh, oh oh, oh

Abyss bursting through the gates to King Merlin's palace, alarming the two guards standing there.

(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE ON THE 3RD "OH”)

Abyss glaring and pointing at King Merlin with his mouth open, holding the book open to the page about the royal challenge with his other arm. King Merlin appears surprised.

(FADE INTO THE ABOVE IMAGE ON THE 5TH “OH”)

A replica shot of the previous one except King Merlin is smiling wickedly at Abyss and Abyss is no longer pointing at him

(FADE INTO THE ABOVE IMAGE ON THE 6TH “OH”)

Oh oh oh, oh oh, oh

A close-up of King Merlin's face glaring down at Abyss.

(FADE INTO THE ABOVE IMAGE ON THE 5TH “OH”)

A replica shot of the previous one except both King Merlin and Abyss have their eyes narrowed..

(FADE INTO THE ABOVE IMAGE ON THE 6TH “OH”)

Oh oh oh, oh-

(FADE TO BLACK SCREEN ON THE 3RD "OH")

I hear Jerusalem bells are ringing

King Merlin and Abyss standing in front of each other, holding their swords crossed in the arena.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “HEAR”)

King Merlin lifting his sword to bring it down on Abyss, but Abyss's head is leaning backwards and his legs are spaced apart as though squatting.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “RU" AS IN "JERUSALEM”)

King Merlin striking his sword into the ground while Abyss dodges around him and makes a smiling determined face.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BELLS”)

Roman Cavalry choirs are singing

A close-up shot of King Merlin's leg with half of his sword visible diagonally in front of it, blocking Abyss's sword.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “ROM" AS IN "ROMAN”)

A close-up shot of Abyss's torso with his sword being diagonally held over his neck, blocking King Merlin's sword.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CAV" AS IN "CAVALRY”)

A zoomed-out shot of the previous one, with King Merlin holding his sword where Abyss blocked it and looking angrily surprised while Abyss has a surprised/neutral face.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CHOIRS”)

A replica shot of the previous one except Abyss is showing his teeth snd grinning while King Merlin is showing his teeth and growling.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SING" AS IN "SINGING”)

Be my mirror, my sword and shield

King Merlin charging at Abyss with his sword aiming for Abyss's shoulder, while a determined-looking slightly-frowning Abyss tries to run around him.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “BE”)

A close-up shot of Abyss's arm with the tip of King Merlin's sword digging into the top.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “MIR" AS IN "MIRROR”)

A replica shot of the previous one except the sword has moved downward and a bright red scratch is left in its trail.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SWORD”)

Abyss from his waist up looking surprised and gritting his teeth in pain.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “SHI" AS IN "SHIELD”)

My missionaries in a foreign field

For some reason I can't explain

I know Saint Peter won't call my name

King Merlin holding his sword weakly in a block while Abyss's sword is just underneath it, ready to cut upwards.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “KNOW”)

A replica shot of the previous one except King Merlin's sword is flying out of his claws as Abyss successfully cuts upwards.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “PE" AS IN "PETER”)

A replica shot of the previous one except King Merlin's sword is dug deep into the ground too far away for him to reach it and he is staring in open-mouthed shock at Abyss's sword, which is now pointed at his throat.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “CALL”)

Never an honest word

A close-up shot of King Merlin looking up at Abyss with angry defiance, growling with his teeth showing.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “AN”)

A replica shot of the previous one except King Merlin's mouth is now closed in a deep, furious frown.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WORD”)

But that was when I ruled the world

Abyss standing over the defeated King Merlin with his sword pointed out at the level of the king's head.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “WHEN”)

A replica shot of the previous one except Abyss's sword is now raised high in the air as he prepares to bring it down on King Merlin's head.

(FADE INTO THE ABOVE IMAGE ON SYLLABLE “RULED”)

(TRANSITION TO BLACK SCREEN ON SYLLABLE “WORLD”)

Do not fade for the above transition into a black screen. Just use a regular transition.

Ooh, ooh, ooh, ooh

Abyss, now wearing his royal outfit, standing proudly while a crowd cheers for him.

(FROM BLACK SCREEN, FADE INTO THE ABOVE IMAGE ON THE 1ST “OOH”)

A replica shot of the previous one except Abyss's eyes are closed.

(FADE INTO THE ABOVE IMAGE ON THE 2ND “OOH”)

Opal standing in the same position with her eyes closed and some frosticles bowing respectfully to her.

(FADE INTO THE ABOVE IMAGE ON THE 3RD “OOH”)

A zoomed-out version of the previous one, such so that the progress on building Winterspire is visible.

(FADE INTO THE ABOVE IMAGE ON THE 4TH “OOH”)

Ooh, ooh, ooh, ooh

A shot of King Merlin's bones, including a skull with a crack down the center, lying all by themselves in the sand at the bottom of the ocean.

(FADE INTO THE ABOVE IMAGE ON THE 1ST “OOH”)

A replica shot of the previous one except the bones are mostly covered in sand and the water is slightly darker.

(FADE INTO THE ABOVE IMAGE ON THE 2ND “OOH”)

A replica shot of the previous one except the bones are now completely covered in sand and the water is even darker.

(FADE INTO THE ABOVE IMAGE ON THE 3RD “OOH”)

(FADE TO BLACK SCREEN ON THE 4TH "OOH")