Thread:Gargoyle One/@comment-31377280-20180521011057/@comment-31377280-20180521014720

They all exemplify excellent pacing; the one in The Raid with the doorway (you know what I'm talking about) dropped my jaw and didn't let it get up for the rest of the film, but the final fight of The Raid 2 demonstrated such masterful pacing (it and the last one are about 6 minutes together while not dragging), choreography, and such a thick sense of dread and desperation that it embodied the film's theme of being overwhemlemd by unfamiliar and extreme circumstances, even though the fighters didn't know each other.

Rama at that embodied placing ones value in a noble external force (his family), while the Assasssin embodied ambition shedding peripherial obstacles (as exemplified by his murdering the noble advisor to the crime family), so that was cool, too.